1
课程详述
COURSE SPECIFICATION
联系授课教师。
The course information as follows may be subject to change, either during the session because of unforeseen
circumstances, or following review of the course at the end of the session. Queries about the course should be directed
to the course instructor.
1.
课程名称 Course Title
中外戏剧与性别 Gender in Chinese and Foreign Theatres
2.
授课院系
Originating Department
社会科学中心 Center for Social Sciences
3.
课程编号
Course Code
SS041
4.
课程学分 Credit Value
2
5.
课程类别
Course Type
通识选修课程 General Education (GE) Elective Courses
6.
授课学期
Semester
春季 Spring
7.
授课语言
Teaching Language
中英双语 English and Chinese
8.
他授课教师)
Instructor(s), Affiliation&
Contact
For team teaching, please list
all instructors
吴冠达 Guanda WU
人文社科荣誉学会 Society of Fellows in Liberal Arts
Email wuxx0413@umn.edu
9.
/
方式
Tutor/TA(s), Contact
NA
10.
选课人数限额(不填)
Maximum Enrolment
Optional
授课方式
Delivery Method
习题/辅导/讨论
Tutorials
实验/实习
Lab/Practical
其它(请具体注明)
OtherPlease specify
总学时
Total
11.
学时数
Credit Hours
32
2
12.
先修课程、其它学习要求
Pre-requisites or Other
Academic Requirements
NA
13.
后续课程、其它学习规划
Courses for which this course
is a pre-requisite
NA
14.
其它要求修读本课程的学系
Cross-listing Dept.
NA
教学大纲及教学日历 SYLLABUS
15.
教学目标 Course Objectives
本课程从性别研究的视角出发考察中外戏剧文化,主要包括“什么是戏剧?”、“古希腊悲剧中的女性”、“莎士比亚戏
剧中性别策略”、“娜拉:易卜生与中国话剧”、“男旦与女形:中日戏剧中的男演女”以及“女班的前世今生:越剧与
宝冢歌剧”等六个基本教学单元。通过对中外经典戏剧形式和作品的赏析和研究,课程旨在帮助学生了解戏剧艺术的历史
沿革、舞台风貌和美学特征,提高学生的艺术鉴赏能力。同时,借助于研读中外戏剧艺术家的理论论著以及当代西方性别
研究的经典著作,鼓励学生从表演/性别理论的视角理解戏剧作品的文本和舞台呈现,培养学生的批判性思维。
This course examines Chinese and foreign theatrical cultures through the prism of gender and sexuality. It mainly
consists of six units, namely “What is Theatre?” “Women in Ancient Greek Tragedies,” “Gender Politics in
Shakespearean Drama,” “Nora: Ibsen and Chinese Huaju,” “Nandan and Onnagata: Female Impersonation in Chinese
and Japanese Theatres,” and “All-Female Genres: Yueju and Takarazuka.” Students are given the opportunity to
appreciate the marvelous worlds of Greek tragedy, Renaissance drama, jingju, yueju, kabuki, and takarazuka, in all of
which the parameter of gender plays a prominent role. In addition, the course also introduces metaphysical ideas
regarding acting, gender, and performativity by Chinese and foreign artists and philosophers. Students are encouraged
to consider these theoretical accounts not as disengaged contemplations but rather as critical resources to help facilitate
a deeper understanding of the relationship between theatre and gender in each given cultural context.
16.
预达学习成果 Learning Outcomes
本课程预期让学生掌握以下知识、技能:
- 理解戏剧艺术的美学特点且掌握戏剧艺术的基本概念;
- 能够分别从文本中心以及舞台中心两种不同角度赏析戏剧作品;
- 理解文化、历史和艺术等因素对性别建构的突出影响;
- 能够运用性别研究的理论评析戏剧作品;
- 理解戏剧的社会价值;
- 更深刻地理解中外历史、文化和艺术。
Upon successful completion of the course, the students will be able to:
1. demonstrate knowledge of the formal and aesthetic features of theatrical arts and of the basic concepts of
formalist performance/literary analysis;
2. apply their knowledge of theatre aesthetics to performance/literary analysis;
3. recognize the historical, socio-cultural construction of gender both onstage and off;
4. critically analyze a theatrical performance through the prism of gender and sexuality;
5. demonstrate greater appreciation and knowledge of theatre as a form of cultural and aesthetic expression as
well as an apparatus for social change;
6. demonstrate greater appreciation and knowledge of Chinese, European, and Japanese history, culture, and
society.
17.
课程内容及教学日历 (如授课语言以英文为主,则课程内容介绍可以用英文;如团队教学或模块教学,教学日历须注明
主讲人)
Course Contents (in Parts/Chapters/Sections/Weeks. Please notify name of instructor for course section(s), if
this is a team teaching or module course.)
3
本课程共 16 讲,每讲 2 学时
第一单元 导论:什么是戏剧?
第一讲 什么是戏剧?
导论:
文学意义上的戏剧艺术
舞台意义上的戏剧艺术
剧场艺术
表演艺术
表演与操演
课程安排
作业、考核要求
推荐书目
学生问卷调查
第二讲 以文本为中心的戏剧艺术
文本
形式
类型
剧作家
风格(古典主义、浪漫主义、现实主义、历史先锋派及其他)
读者
第三讲 以舞台为中心的戏剧艺术
表演艺术 (体验派、陌生化、亚洲方法及其他)
导演艺术(斯坦尼斯拉夫斯基、布莱希特、阿尔托、梅耶柯德、铃木忠志及其他)
空间
布景
灯光
观众
第四讲 戏剧与性别:中外视角
纪昀
黄旛绰
梅兰芳
荀慧生
柏拉图
狄德罗
歌德
世阿弥
吉泽菖蒲
第五讲 性别理论:从本质主义到操演性
弗洛伊德和本质主义
女性主义
男性气质与女性气质
建构主义(法国学派)
性经验史
性别与操演性
第二单元 古希腊悲剧中的女性
第六讲 《美狄亚》和古希腊悲剧中的女性
古希腊的文化与政治
剧场与空间
古希腊神话中的女性
悲剧诗人
《美狄亚》