工笔花鸟画是中国画中的一支奇葩,在世界花坛上具有自己的独特风格。“风花瓣舞叶如惊,
晴花迎日叶劲挺。雨花下斜叶如浴,露花合抿叶羞情”。可见人类对花鸟画深入的观察与研究是分
不开的,伟大的作品反映了时代精神,继承与创新并重,保守与开放共存,工笔花鸟画经过千年积
淀和创新,焕发着春天般的璀璨生命。
Elaborate-style and bird-and-flower painting is a wonder among the Chinese
paintings, with its own unique style in the world flower bed. “The petal dances in the
wind and leaves are startled/the flowers face the sun and the leaves are firm/the rainy
flowers tilt and the leaves are in bath/the open flowers are shy and the leaves are
bashful”. It can be seen that human’s in-depth observation and research of bird-and-
flower painting is inseparable. The great works reflect the spirit of the times, in
which inheritance and innovation are both emphasized, conservatism and openness exist.
Through the sediment and innovation of thousands of years, the meticulous flower-and-
bird painting has the spring-like splendid life.
工笔花鸟画是中国画中的一门传统画种,它主要以花鸟及各种禽兽为主要体裁,通过视觉物象
上的细腻工整与工稳收敛的笔迹来表现的具有传统审美品格的一门艺术。是我国民族绘画中具有悠
久历史和丰富技法的一门独立学科,不但历史悠久,题材广泛,而且体现样式和手法也是多种多样
的,在民族绘画中占有相当重要的地位。
The meticulous flower-and-bird is a traditional painting type in the Chinese
paintings. It mainly takes the flower and bird and various livestock as the main genre
and shows the traditional aesthetic quality through the refined, neat and orderly
calligraphy of the visual images. It is an independent discipline with a long history
and abundant techniques among the domestic national paintings. It not only has a long
history and wide subjects, but also has the diversified patterns and techniques, with
an important status in the national painting.
齐白石先生说:“不似为欺世,太似则媚俗,妙在于似与不似之间”。似与不似之间就有了一
定的空间,在作画过程中,积极地去作物象的内在本质即神韵的追求,为了达到目的,就要对物象
的特征加以强调、夸张,对形进行必要的概括、取舍、归纳。这个过程叫做“遗貌取神”,这种造
型观念叫做“意象造型”。也是学生易于掌握的一门画种。